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Anna Ancher
ung kvinde pa kirkegarden i skagarden
1913
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Anna Ancher
solskin i den bla stue, helga ancher hakler ibedstemoderens stue
1891
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Anna Ancher
interiorior med syennde kvinde, ca
1910
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Anna Ancher
kran wollesen boder garn
1886. pastel
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Anna Ancher
lars gaihede snitter en pind
1880
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Anna Ancher
en pige plukker dun af en avane
nordjyllands kunstmuseum, aalborg
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Anna Ancher
hundene fodres
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Anna Ancher
gade i skagen-osterby
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Anna Ancher
en ung pige ordner blomster
1885 arhus kunstmuseum
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Anna Ancher
ung pige foran en tandt lampe
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Anna Ancher
valmuer pa et bord foran en lasende dame
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Anna Ancher
et far klippes
nordjyllands kunstmuseum, aalborg
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Anna Ancher
aftenbon
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Anna Ancher
bedstemor underholdes
1912
ribe kunstmuseum
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Anna Ancher
aftenbon
1888
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Anna Ancher
en begravelse
1888
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Anna Ancher
solskin i den bla stue
1891
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Anna Ancher
en vaccination
forarbejde
1899
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Anna Ancher
sorg
1902
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Anna Ancher
et missionsmode
1903
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| Anna Ancher
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Danish Painter, 1859-1935
was the only one of the Skagen Painters that was actually born in Skagen, Denmark. Anna Ancher was born and grew up in the northernmost area of Jutland, called Skagen (the Skaw). Her talent became obvious at an early age and she grew acquainted with pictorial art via the many artists who settled to paint in Skagen. Anna Ancher studied drawing for 3 years at the Vilhelm Kyhn College of Painting in Copenhagen. However, Anna Ancher developed her own style and was a pioneer in observing the interplay of different colours in natural light. She also studied drawing in Paris at the atelier of Pierre Puvis de Chavannes along with Marie Triepcke, who would marry Peder Severin Krøyer, another Skagen painter. In 1880 she married fellow painter Michael Ancher, whom she met in Skagen. They had one daughter, Helga Ancher. Despite pressure from society that married women should devote themselves to household duties, she continued painting after marriage. Anna Ancher is considered to be one of the great Danish pictorial artists by virtue of her abilities as a character painter and colourist[citation needed]. Anna Ancher's art found its expression in Nordic art's modern breakthrough towards a more truthful depiction of reality, e.g. in Blue Ane (1882) and The Girl in the Kitchen (1883-1886). Anna Ancher preferred to paint interiors and simple themes from the everyday lives of the Skagen people and fishermen,
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